Nadia Sirota

Hailed by the New York Times as “a bold new-music interpreter and the violist of choice among downtown ensembles,” violist Nadia Sirota has been praised for her “command and eloquence” (Boston Globe) and for being one of New York’s “brightest, busiest players” (Time Out New York). She is best known for her unique interpretations of new scores and for commissioning and premiering works by some of the most talented composers of her generation, including Marcos Balter, Caleb Burhans, Judd Greenstein, Missy Mazzoli, and Nico Muhly.

Her debut album, First Things First (New Amsterdam Records), “a collection of vital, imaginative recent scores” (New York Times), was a New York Times 2009 record of the year.

A regular guest with such groups as The Meredith Monk Ensemble, Alarm Will Sound, and Continuum, she is a founding member of ACME (the American Contemporary Music Ensemble), yMusic, and the Wordless Music Orchestra.

She received her undergraduate and Master’s degrees from the Juilliard School, where she performed as co-founder of the AXIOM ensemble, initiated the Castleman/Amory/Huang studio’s New Music Project, and created the the Juilliard Plays Juilliard program for student composers and performers. After winning the top prize in Juilliard’s 2005 concerto competition, Nadia performed Hindemith’s Der Schwanendreher with conductor Marin Alsop and the Juilliard Orchestra in Alice Tully Hall. As a chamber musician, Nadia has collaborated with such artists as Joseph Kalichstein, Itzhak Perlman, and the Silk Road Ensemble, as well as with members of Kronos Quaret, the Chiara Quartet, and the Peabody Trio. In 2007, Nadia joined the faculty of the Contemporary Performance Program at Manhattan School of Music.

In addition to her work as a performer and educator, Nadia hosts “Nadia Sirota on Q2,” a weekday show devoted to contemporary music on WQXR’s internet radio stream Q2. Winner of the 2010 ASCAP Deems Taylor award in radio and internet broadcasting, Nadia’s show was described by New Yorker critic Alex Ross as “radio we can believe in.”