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Jazz Trombone Audition Procedures/Repertoire
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Jazz Department

Listed below are the audition procedures as well as the various audition requirements/repertoire for each degree level.

Prescreening Procedures

  • All jazz applicants are required to submit a CD (no mini disk) with the application for prescreening purposes, in order to receive an invitation to a live audition in New York City. It is not required that the format be a professional or studio recording, but the sound quality must be as good as possible.
  • Repertoire for the prescreening recording must demonstrate the ability to improvise and play with a rhythm section, using a live band or play-along recording.
    1. Required piece (must be first on the recording): the 12-Bar Blues piece, Billie's Bounce in medium tempo (minimum of four improvised choruses).
    2. Perform three other selections (one must be a ballad) in different jazz styles, moods, and tempos (minimum of two improvised choruses for each selection).

Audition Procedures

  • Applicants who pass the prescreening portion of the audition will be invited for a live audition in New York City.
  • All auditions are approximately 10 minutes in length. Each applicant chooses his/her first work, and the faculty will choose a second and possibly third work from the audition repertoire list provided by the applicant.
  • Rhythm section, amplifiers, and a drum set (without cymbals) will be provided. Applicants must provide music for the trio. Auditioning students may provide their own rhythm section players if they choose.
  • Play-along recordings are not acceptable for a live audition.

Undergraduate Audition Requirements

  1. Demonstrate ability to improvise and play with a rhythm section.
  2. Three different selections (one must be a ballad) in different jazz styles, moods, and tempos.
  3. Sight-reading.

Graduate Audition Requirements

  1. Demonstrate ability to improvise and play with a rhythm section at a graduate level of advancement.
  2. Ten selections (including two ballads) in different jazz styles, moods, and tempos performed from memory.
  3. Sight-reading.