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In the fall of 1991, Manhattan School of Music inaugurated the Graduate
Program in Orchestral Performance, the first accredited degree program
of its kind in the United States. By its mission and design, the
program seeks to produce polished musicians of the highest artistic
caliber, who are prepared intensively in the orchestral repertoire
for careers as symphonic players and who are trained to participate
fully in both performance and other nonmusical aspects of life in
the modern orchestra, such as orchestra governance, artistic planning,
community engagement, and audience development.
The Orchestral Performance
Program is by definition a vocational program housed within the
conservatory, but with the goal of providing orchestral training
at the post-conservatory level. The two-year curriculum includes
extensive orchestral performing experience and orchestral curriculum
taught by the concertmaster and principal players of the New York
Philharmonic, as well as members of the Metropolitan Opera, New
York City Opera and Ballet orchestras, Orpheus Chamber Orchestra,
and the Orchestra of St. Luke's. The cornerstone of the program
is the interaction students have with some of the world's finest
orchestral artists and industry professionals, in a variety of performance
and coaching formats, classes, and informal conversations. In addition,
the program offers a formalized curriculum and thorough sequence
in orchestral performance practicum.
Students with a bachelor's
degree or equivalent are eligible to apply for the Master of Music
Program. Students who have completed a Master's degree or equivalent
may apply for the Postgraduate Diploma Program or Professional Studies
Certificate Program.
The unique, nonacademic
elements of the program include: private study with a faculty of
distinguished, professional orchestral musicians, orchestral repertoire
coaching with faculty members, master classes and special coaching
ensembles with guest orchestral artists, orchestral performances
under internationally acclaimed conductors, chamber music coaching,
experience in the contemporary orchestral repertoire, extramusical
training in community service, the business of orchestral music,
and audition preparation.
To listen to audio clips from performances at Manhattan School
of Music by our orchestras (including the Chamber Sinfonia) and
by faculty and students of the Orchestral Performance program, please
visit our Audio Archives
page. To view Laurinel Owen's article "Training for the Big
Tutti," which offers a unique perspective of the Graduate Program
in Orchestral Performance with interviews given by program faculty,
students and alumni [originally published in the Strad
magazine, November 2005, www.thestrad.com], click
here.
Art of Orchestral Performance
Master Class Series
One of the extraordinary advantages of studying in New York City
is that it is a cultural center and a major tour stop for international
and American orchestras. In addition to our program faculty, the
most significant orchestral musicians from other parts of the world
perform in New York City each season. Master classes on the Art
of Orchestral Performance are planned each year for each orchestral
instrument by members of international and American orchestras visiting
New York City. For a representative list of recent Art of Orchestral
Performance master class artists, please click
here.
Career Results
In the midst of intense competition,
scores of Orchestral Performance program students have won professional
positions with leading orchestras such as the New York Philharmonc,
the Lyric Opera Orchestra, the San Francisco Symphony, the Gewandhaus
Orchestra of Leipzig, and the Royal Danish Opera Orchestra, among
others. For a representative list of orchestral positions won in
recent years, please click
here.
Mock Auditions
One of the most necessary training elements for orchestral
musicians is the art of taking auditions. Orchestral Performance
majors have the opportunity of performing in regularly scheduled
mock auditions during the academic year, paralleling preliminary,
semifinal, and final orchestra audition standards and practices
and adjudicated by program faculty and other musicians from major
New York City orchestras and performing ensembles.
Courses
Degree
Sequence Plans: The degree sequence plans for this program,
which will show you what courses and numbers of credits are required
for graduation, are found by clicking the link below:
Here are some decriptions of innovative and important courses that
you will be taking as an Orchestral Performance major:
Orchestral
Repertoire Coaching Course: The Orchestral Repertoire Coaching
course has been designed as a four-semester, two-year sequence of
coaching sessions on the craft of orchestral ensemble performance
techniques. The course offers students intensive and focused study
of and performance experience in the diverse styles and periods
of the orchestral repertoire. It is the intention that, in addition
to the existing training formats and repertoire programmed for Manhattan
School of Music orchestra concerts, the course will uniquely prepare
students to win and sustain orchestral positions. The course offers
in-depth coverage of representative works in what could be defined
as the core repertoire for each instrument, chosen from the diverse
styles and representative periods of the orchestral repertoire.
Three formats and different environments for learning are used for
coaching: weekly individual instrumental sessions taught by Program
faculty; monthly instrumental “family” sectionals conducted
by Manhattan School of Music faculty and guest artists; and semester's
end strings and winds/brass/percussion reading rehearsals, conducted
by national and international conductors. Recent conductors include
Richard Auldon Clark, Guillermo Figueroa, Sidney Harth, Roger Nierenberg,
Peter Oundjian, Gunther Schuller, Robert Spano, Barbara Yahr, Samuel
Wong, and Manhattan School of Music resident conductor David Gilbert
Business of Orchestral
Music: The Business of Orchestral Music course offers students
an in-depth examination of real-world problems in the orchestra
business and engages them in an examination of the conditions in
the field, not as a formula, but as a set of variables to apply
in finding a solution to the current crisis in American orchestras.
Community professionals serve as guest lecturers. The
course prepares students to be educated participants in the nonperforming
activities of orchestras, including community service, orchestra
committee participation, artistic planning, fund-raising, audience
development, orchestra governance and citizenship, and arts advocacy.
Panels of orchestral musicians and union leaders prepare students
for their responsibilities as members of orchestra and negotiating
committees. Special attention is given to audition preparation.
In addition, students prepare professional materials, write mission
statements, assess their personal and musical strengths and weaknesses,
establish long-term life and career goals, and create action plans
for their accomplishment. Catherine C. Cahill, executive director
of the Brooklyn Philharmonic, instructs the class, and metropolitan-area
professionals serve as guest lecturers.
Musician as Educator: Preparation
and training as teaching artists in Manhattan School of Music’s
nationally recognized educational outreach program is offered in
this required course. It has been designed to develop skills and
offer experience as a teaching artist in elementary and middle school
arts education programs. Students are exposed to a variety of pedagogical
methods and materials during the process of writing and delivering
classroom introductions and educational concerts in New York City
schools, as part of Manhattan School of Music ’s educational
outreach program, Music Teaches. As a result of their experience,
several alumni have been hired as teaching artists and demonstrators
within the New York Philharmonic’s Education Partnership Program.
Orchestral majors are encouraged to participate in Manhattan School
of Music's multifaceted outreach program, Music
in Action by giving concerts in senior citizen homes, hospitals,
diverse venues, and schools.
Admission
Specific audition requirements for this program
can be found by clicking the link below:
General
admission information regarding taped auditions, audition fees,
required materials, and applications can be found by visiting our
Audition Procedures Page.
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