Hosted by The Art Song Preservation Society of New York and the Manhattan School of Music
Leaders in the field of Latin American art song, mezzo-soprano Maya Hoover and pianist JoseMelendez take the stage to present a magical evening of song from Latin America. Maya Hoover and José Meléndez gave their first recital together in 1997, and they have been performing regularly as a collaborative duo for the last twenty years. Their 2018 program for ASPSNY will include repertoire from Argentina, Bolivia, Brazil, Cuba, Mexico, and Puerto Rico.
Manhattan School of Music
120 Claremont Avenue
Please enter at corner of 122nd St and Broadway, under the red awning
ABOUT MAYA HOOVER
Praised for her outstanding artistry, “vocal beauty of high technical caliber,” and “vocal flare and flamenco abandon,” mezzo-soprano Maya Hoover is widely recognized for her passion, profundity, and depth on stage. She has recently been featured in concerts with renowned soprano Sumi Jo and the Hawai‘i Symphony Orchestra (HSO); Brahms’ Alto Rhapsody and Beethoven’s Symphony No. 9 with the Greeley Philharmonic Orchestra (Colorado); The Magic Flute (Second Lady) and Il Trovatore (Inez) with Hawai‘i Opera Theatre (HOT); gala concerts with Opera NEO (San Diego); recitals in Vernon, France and throughout China; and concerts with Artists for Social Justice Hawai‘i. This season, she sings Suzuki in Madama Butterfly (Opera Ft. Collins) and Mercédès in Carmen (Axelrod Performing Arts Center, NJ). In June, she will be a featured artist with the Art Song Preservation Society of New York in a program of all Latin American art song with her musical partner of more than twenty years, pianist José Meléndez.
Other highlights include Beethoven’s Symphony No. 9 (HSO, Bellingham Festival of Music); Falla’s El sombrero de tres picos (HSO); Mary in Der fliegende Holländer (HOT); Verdi’s Requiem (Tuscia Operafestival, Viterbo, Italy); Respighi’s Il tramonto and Simon Sargon’s Shemà (Chamber Music Hawai‘i); and Schoenberg’s Pierrot Lunaire (Chamber Music Hawai‘i), in a production staged by Henry Akina. Other international appearances include Festival Mozart y Beethoven, Festival Internacional Bach, and Festimúsica Internacional (Peru); Songs Across the Americas Festival (Bolivia); Bellingham Festival of Music; Bloomington Early Music Festival; Escuela de Artes Musicales, Universidad de Costa Rica; Auditorio Fabio Lozano (Bogotá, Colombia); and Teatro Municipal (Trujillo, Peru).
As a recitalist, she has performed regularly with José Meléndez for two decades in innovative programs frequently highlighting Latin American, Spanish, and other outstanding lesser-known works. She holds a Doctor of Music degree in Voice Performance and Literature with a minor in Music Education from Indiana University, a Master of Music degree in Voice Performance and Pedagogy from Westminster Choir College, and a Bachelor of Music degree with a minor in Italian Language and Literature from Binghamton University. She has studied with Mary Burgess, Laura Brooks Rice, Patricia Havranek, Virginia Zeani, and currently studies with Andrea DelGiudice. Her publications have appeared in Classical Singer, The Mentoring Connection, Philosophy of Music Education Review, and Choral Journal, and her book Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano (Indiana University Press) was released in March 2010. In August 2007, she joined the distinguished faculty of the University of Hawai‘i at Mānoa, where she serves as Professor of Music with a world-class faculty.
ABOUT JOSE MELENDEZ
Pianist José Meléndez is in demand as a vocal coach, conductor, and collaborative artist. His professional engagements have taken him to Europe, South and Central America, Asia, Puerto Rico, Hawaii, and throughout the mainland United States. He is committed to the artistic development of young and emerging singers, and has been associated with numerous young artist programs, competitions, and training centers. He holds a full-time position at the Academy of Vocal Arts in Philadelphia, where he is Assistant to the Music Director, Orchestra Librarian, and part of the music staff. He serves as Assistant Conductor, Collaborative Pianist, and Vocal Coach for various AVA productions and events, and he is also the Music Director of Concert Operetta Philadelphia, an organization dedicated to the performance of operetta in concert.
Mr. Meléndez has held professional positions with Glimmerglass Opera (Principal Coach), Opera Company of Philadelphia, Hawaii Opera Theatre (Chorus Master, Repetiteur, Studio Artist Coach), Ocean City (NJ) Pops Orchestra (Conductor), Connecticut Grand Opera, Bay Area Summer Opera Theater (Conductor), Westminster Opera Theater (Music Director), Indianapolis Opera, and Opera de Puerto Rico. He worked with Opera New Jersey for over a decade as Assistant Conductor and Principal Coach, and as Music Director of the Young Artist Program. He made his Carnegie Hall debut as a solo pianist in a recital with pianist José Ramos Santana in May of 2011.
He continues his role as Principal Coach and Pianist for the Puerto Rico Metropolitan Council District and Regional Auditions, a position he has held for over 18 years. He has worked with the Castleton Music Festival (C.A.T.S. Principal Coach), Curtis Institute of Music (Music staff), L’Académie Internationale d’Été de Nice (France), Casals Festival (Puerto Rico), Culturarte (Puerto Rico), Francisco Viñas International Voice Competition (Barcelona), and Operalia, Plácido Domingo’s World Opera Competition.
As a collaborative pianist, Mr. Meléndez is known for his colorful and sensitive playing, as well as his innovative programming. He has enjoyed a partnership with mezzo-soprano Maya Hoover for 20 years. They are known for their programs of all Latin American art song, and for their carefully crafted recitals featuring lesser-known repertoire, which often include new arrangements written by Mr. Meléndez. Mr. Meléndez is a frequent guest artist at the University of Hawaii, where he has presented master classes on the art of collaboration and has played for several seasons on the Music at Mãnoa concert series. He has served on the faculty of the Mason Gross School of the Arts at Rutgers, the State University of New Jersey, and in summer 2014, he joined the Music Staff of Seagle Music Colony as Coach for their Young Artist Studio.
José Meléndez holds a Bachelor of Music degree in Piano Performance from the Conservatorio de Música de Puerto Rico and a Master of Music degree in Piano Accompanying and Coaching from Westminster Choir College of Rider University, where he studied with Dalton Baldwin, José Ramos Santana, and J.J. Penna.