College Faculty: Composition Chamber Music Contemporary Performance Program Woodwinds (flute) and Orchestral Performance Program
Valerie Coleman is regarded by many as an iconic artist who continues to pave her own unique path as a composer, GRAMMY®-nominated flutist, and entrepreneur. Highlighted as one of the “Top 35 Women Composers” by The Washington Post, she was named Performance Today’s 2020 Classical Woman of the Year, an honor bestowed to an individual who has made a significant contribution to classical music as a performer, composer or educator. Her works have garnered awards such as the MAPFund, ASCAP Honors Award, Chamber Music America’s Classical Commissioning Program, Herb Alpert Ragdale Residency Award, and nominations from The American Academy of Arts and Letters and United States Artists. Umoja was chosen by Chamber Music America as one of the “Top 101 Great American Ensemble Works” and is now a staple of woodwind literature.
Coleman commenced her 2022/23 season with grand slam of highlights, beginning with a world premiere of a flute concerto by composer Jennifer Higdon, entitled, The Light We Can See, performed by Coleman herself on flute alongside the baton of Leonard Slatkin and the Chicago Philharmonic. While she performed the work in Chicago, the second installment of her song cycle, Eternal Flame was being premiered by the Philadelphia Orchestra with Metropolitan Opera soprano Angel Blue. Months later, the New York Youth Symphony album featuring her work, Umoja: Anthem of Unity, received a Grammy award win, while her concerto for bassoon called, Opus Serena, was premiered by bassoonist Monica Ellis and the Los Angeles Philharmonic under the baton of conductor Jeri Lynn Johnson.
In her 2021/22 season, her work, Fanfare for Uncommon Times, gave voice to a moment in time, and received its world premiere at the Caramoor Festival with the Orchestra of St. Luke’s. In October 2021, Carnegie Hall presented her work dedicated to the essential workers of the pandemic in Seven O’Clock Shout, which was commissioned by The Philadelphia Orchestra, in their Opening Night Gala concert featuring The Philadelphia Orchestra and Yannick Nézet-Séguin. This follows on the success of the world premiere of Coleman’s call for unity within the orchestral arrangement of her work Umoja, commissioned by The Philadelphia Orchestra and performed in Philadelphia and at Carnegie Hall in 2019, marking the first time the orchestra performed a classical work by a living female African-American composer. In February 2022, The Philadelphia Orchestra and soprano Angel Blue, led by Nézet-Séguin, gave the world premiere of a new song cycle written by Coleman, commissioned by the orchestra for performances in Philadelphia and at Carnegie Hall.
Coleman was named to the Metropolitan Opera/Lincoln Center Theater New Works dual commissioning program in 2021/22, a season sees performances of her works by orchestras around the United States including the Minnesota Orchestra, Baltimore Symphony Orchestra, Sarasota Orchestra, New Haven Symphony Orchestra, Yale Symphony Orchestra, Vermont Symphony and The Louisville Orchestra. Recent commissions include works for the Orpheus Chamber Orchestra, The Library of Congress, Orchestra of St. Luke’s, American Composers Orchestra, The National Flute Association, University of Chicago and University of Michigan. Previous performances of her works have been with the New York Philharmonic, Boston Symphony Orchestra, Pittsburgh Symphony, St. Louis Symphony, Atlanta Symphony Orchestra, Toronto Symphony and significant chamber ensembles and collegiate bands across the country.
Former flutist of the Imani Winds, Coleman is the creator and founder of this acclaimed ensemble whose 25-year legacy is documented and featured in a dedicated exhibit at the Smithsonian National Museum of African American History and Culture in Washington, D.C. She recently co-founded and currently performs as flutist of the performer-composer trio Umama Womama.
As a performer, Coleman has appeared at Carnegie Hall and The Kennedy Center and with The Philadelphia Orchestra, Hartford Symphony, New Haven Symphony, Boston University Tanglewood Institute, Orpheus Chamber Orchestra, Banff, Spoleto USA and Bravo! Vail. As a guest flutist, she has participated in the Mid-Atlantic Flute Fair, New Jersey Flute Fair, South Carolina Flute Society Festival, Colorado Flute Fair, Mid-South Flute Fair and the National Women’s Music Festival. In 2021/22, she was featured at a host of festival and collegiate multi-disciplinary residencies, including Orchestra of St. Luke’s, Chamber Music Northwest, Phoenix Chamber Music Society, University of Michigan and Coastal Carolina University. Coleman was also the featured guest artist at the Long Island Flute Club, Raleigh Area Flute Association, Greater Portland Flute Society, Seattle Flute Society, University of Wisconsin-Madison Flute Day, Bethune-Cookman University Flute Day and the Florida Flute Society Festival.
As a chamber musician, Coleman has performed throughout North America and Europe alongside Dover Quartet, Orion String Quartet, Miami String Quartet, Harlem String Quartet, Quarteto Latinoamericano, Yo-Yo Ma, Ani and Ida Kavafian, Anne-Marie McDermott, Wu Han, David Shifrin, Gil Kalish, members of the Los Angeles Chamber Orchestra, and jazz legends Paquito D’Rivera, Stefon Harris, Jason Moran and René Marie. A laureate of Concert Artists Guild, she is also a former fellow of The Chamber Music Society of Lincoln Center’s Bowers Program.
Coleman’s work as a recording artist includes an extensive discography. With Imani Winds, she has appeared on Sony Classical, Deutsche Grammophon, Sony Classical, Naxos, Cedille Records and eOne, and as a guest flutist on albums with Wayne Shorter Quartet, Steve Coleman and the Council of Balance, Chick Corea, Brubeck Brothers, Edward Simon, Bruce Adolphe, and Mohammed Fairouz. Her compositions and performances are regularly broadcast on NPR, WNYC, WQXR, Minnesota Public Radio, Sirius XM, Radio France, Australian Broadcast Company and Radio New Zealand.
Committed to arts education, entrepreneurship and chamber music advocacy, Coleman created the Imani Winds Chamber Music Festival in 2011, a summer mentorship program in New York City welcoming young leaders from over 100 international institutions. She has held flute and chamber music masterclasses at institutions in 49 states and over five continents, including The Juilliard School, Curtis Institute, Manhattan School of Music, Mannes College of Music, New England Conservatory, Oberlin College, Eastman School of Music, Yale University, Carnegie Mellon, Interlochen Arts Academy, Beijing Conservatory, Brazil’s Campo do Jordão Festival and Australia’s Musica Viva. As a part of Imani Winds, she has been artist-in-residence at Mannes College of Music, Banff Chamber Music Intensive and Visiting Faculty at the University of Chicago.
Coleman is a faculty member of the Mannes School of Music Flute and Composition program as the Clara Mannes Fellow for Music Leadership. Prior to that she served on the faculty at The Frost School of Music at the University of Miami as Assistant Professor of Performance, Chamber Music and Entrepreneurship. In 2021/22, she led a year-long residency at The Juilliard School in their Music Advancement Program through American Composers Forum.
As an advocate for performers and composers alike, she adjudicates for the National Flute Association’s High School Artist Competition, Concert Artist Guild, APAP’s Young Performing Concert Artists Program, ASCAP’s Morton Gould Award, MapFund Award and the Fischoff National Chamber Music Competition and has served on the Board of Advisors for Composers Now, Sphinx LEAD, APAP’s Classical Connections Committee and the National Flute Association’s New Music Advisory Committee and Board Nomination Committee.
Coleman is a Yamaha artist. Her compositions are published by Theodore Presser and her own company, VColeman Music. She carries with her the pedagogical legacies from her former teachers: composers Martin Amlin and Randy Wolfe, and flutists Julius Baker, Judith Mendenhall, Doriot Dwyer, Leone Buyse, and Alan Weiss. She and her family are based in New York City.
Email This Page
(will be sent in email)