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Contemporary Performance Program
Students from the Contemporary Performance Program in concert at Carnegie Hall’s Zankel Hall.

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Studies Overview

 

The Contemporary Performance Program (CPP) is Manhattan School of Music’s newest graduate degree program. Students in the program, which offers a Master’s Degree in Contemporary Performance, put all their energies into mastering the skills necessary for a career in new music performance.

Click here to listen to excerpts of recordings made by the CPP program.

All CPP students perform regularly with the School's resident contemporary ensembles —Tactus and The Claremont Ensemble — playing a large variety of works written in the last 100 years (see repertory list here). The student-run, late-night series called Power Concerts, provides plentiful opportunity for extra performance with a 20-minute concert scheduled each week.

Coursework in the program is also especially tailored to the needs of the contemporary performer. A rigorous ear-training class, for instance, focuses on rhythmic and pitch issues that are frequently encountered in the music of today. A class in practical issues prepares students for the non-musical challenges they are likely to face after graduation (i.e. managing their own ensemble, booking concerts, writing grants, applying for jobs, and so on).

During its inaugural season, CPP students were featured in a performance by Tactus at Carnegie Hall’s Zankel Hall. Performances in some of New York’s new music clubs are also a regular part of the schedule. In its first two years of existence, CPP has spawned two new student-founded ensembles which are commissioning new works and performing in New York and on tour.

This new and innovative degree program features a small class size, and the intense level of cohesion among the students provides a fertile environment for creativity.

Tactus in Review

“Ambitious . . . finely polished . . . spirited . . .”
—Allan Kozinn, The New York Times

“The deepest, grandest noise of the musical season so far . . .”
—Alex Ross, The New Yorker

“Most school concerts don’t generate the sort of buzz that this one did.”
—Adam Baer, The New York Sun

Courses

The degree sequence plans for this program, which will show you what courses and numbers of credits are required for graduation, are found by clicking the link below:

Admission

General admission information regarding taped auditions, audition fees, required materials, and applications can be found by visiting our Audition Procedures Page.

Specific audition requirements for this major can be found by clicking the link below:



Contemporary Performance Faculty

Daniel Grabois,
program chair




Robert Black,
Bass
Paul Cohen,
Saxophone
Anthony de Mare,
Piano
John Ferrari, *
Percussion
Mark Gould,
Trumpet
Daniel Grabois, *
Horn
Benjamin Herrington, *
Trombone
Susan Jolles,
Harp
David Krakauer,
Clarinet
Martin Kuuskmann,
Bassoon
Jacqueline Leclair,

Oboe
Michael Lowenstern,
Clarinet
Curtis Macomber,
Violin
Brian McWhorter, *
Trumpet
Jeffrey Milarsky,
Percussion
Jon Nelson, *
Trumpet
Tara Helen O'Connor,
Flute
Christopher Oldfather,
Piano/Harpsichord
Lucy Shelton,
Voice
Fred Sherry,
Cello
Nadia Sirota,
Viola
• Mark Stewart,
Guitar
Raymond Stewart,
*
Tuba

*Member of the
Meridian Arts
Ensemble

NOTE: Students in the Contemporary Performance degree program will also work closely with Manhattan School of Music composition faculty.